SOFT MANIFEST

  • 1.A. The Movement of Sound

  • 1.B. Precognitive Understanding

  • 1.C. Possibility Quanta

  • 1.D. Space is the Place

  • 1.E. Crustaceal Logic

  • 1.F. Loop Cassettes and Prehension

  • 2.A. Digestive Remediation

  • 2.B. Aural Sediment

  • 2.C. Mud and Guts

  • 2.D. Spatialization of Self

  • 2.E. Gentle Consumption

  • 2.F. Imagination Is Not Benign

  • 3.A. Or Tide Tributary

  • 3.B. Anachronistic Plausibility

  • 3.C. Contracting Growth

  • 3.D. The Skill of the Amateur

  • 3.E. Absence as Methodology

  • 3.F. Exceptional Digestibles

  • 4.A. Inevitable Epochs

  • 4.B. Curatorial Recidivism

  • 4.C. Utopian Powergrabs

  • 4.D. Techtonic Subversion

  • 4.E. Oppositional Listening

  • 4.F. Phantasmagoric Intelligence

  • 5.A. Silent Signals

  • 5.B. Smoke and Mirrors

  • 5.C. Time Dilation

  • 5.D. Long Suffering

  • 5.E. Onerio Broadcasting

  • 5.F. Museum of Dreams

  • 6.A. Preferential Systems

  • 6.B. Dismantling Hierarchies

  • 6.C. Infrastructure for Tonality

  • 6.D. Topographic Maintenance

  • 6.E. Planning for Obsolescence

  • 6.F. Building for Non-Resilience

  • 7.A. Idiom Fatigue

  • 7.B. Functional Noise

  • 7.C. Stuff of Crisis

  • 7.D. Absurdity as Liberation

  • 7.E. Illusion of Choice

  • 7.F. Fallacy of Mindfulness

  • 8.A. Intention for Movement

  • 8.B. Bone Music

  • 8.C. Vernacular Entanglement

  • 8.D. Improvisational Math

  • 8.E. Speaking Wordlessly

  • 8.F. Meditations on Imperfection

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